The Rules of Musical Interpretation in the Baroque Era (17th-18th centuries)
common to all instruments
Jean-Claude Veilhan, translation by John Lambert
According to Bach, Brossard, Couperin, Hotteterre, Monteclair, Quantz, Rameau-d'Alembert, Rousseau, etc.
Metrical Signs and Their Characteristics
The Various Types of Adagio and Allegro
Character and Tempo of the Various Movements