The Rules of Musical Interpretation in the Baroque Era

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The Rules of Musical Interpretation in the Baroque Era
Model# AL25732

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The Rules of Musical Interpretation in the Baroque Era (17th-18th centuries)

common to all instruments

Jean-Claude Veilhan, translation by John Lambert

According to Bach, Brossard, Couperin, Hotteterre, Monteclair, Quantz, Rameau-d'Alembert, Rousseau, etc.

Contents:

Metrical Signs and Their Characteristics

Phrasing

Embellishment

The Various Types of Adagio and Allegro

Character and Tempo of the Various Movements

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